Spis treści: Picturing Art History: The Rise of the Illustrated History of Art in the Eighteenth Century


  • INTRODUCTION, s. 7

UNFULFILLED PROJECTS TO ILLUSTRATE VASARI, s. 19

  • Bottari, Corsini's Print Collection and the Rise of Art-historical Illustration

THE VISUALISATION OF ARTISTIC PROGRESS IN PRINT COLLECTIONS, s. 22

THE CORSINI COLLECTION AND ITS DISCONTENTS, s. 28

  • Gaps in the Past, s. 28
  • Decay and the Necessity of Documentation, s. 31
  • Reproduction and the Character of Art, s. 38

FROM PRINT COLLECTING INTO ART-HISTORICAL ILLUSTRATION, s. 59

  • Print Annotations to Vasari's 'Vite', s. 59
  • Print Collections as Bodies of Art History, s. 61
  • Filling in the Gaps, s. 63
  • Artists' Biographies with Reproductive Prints, s. 69
  • Artistic Schools and the Illustration of Artistic Progress, s. 78

THE ARTISTIC PAST AT A GLANCE, s. 91

  • Winckelmann, Cavaceppis Drawing Collection and the Short Life of Drawn Art Histories

THE PROMINENCE OF DRAWINGS, s. 93

  • Winckelmann's Interest in Drawing Collections, s. 97
  • The Disadvantage of Antiquarian Collections, s. 99
  • Vase Paintings as Drawings, s. 102

CONNOISSEURSHIP AND THE INVENTION OF ART HISTORY, s. I06

  • Detecting Artists, s. 106
  • Detecting Artistic Schools, s. 108
  • The Question of Artistic Progress
  • The Art of Art History, s. 114

THE CABINET OF ART HISTORY, s. 123

  • Drawings as a Point of Departure (Baldinucci), s. 124
  • The Unity of Drawings and Biographies (d'Argenville), s. 130
  • Acknowledging a Tradition (Wnckelmann), s. 138

DRAWINGS AND THE ILLUSTRATION OF ART HISTORY , s. 154

THE 'HISTOIRE DE L'ART PAR LES MONUMENS', s. 177

  • D'Agincourt, his Reproduction Collection and the Birth of the Illustrated Survey

THE BOOK AS MUSEUM, s. 179

ILLUSTRATING THE ARTISTIC PAST, s. 184

  • The Case of the Bolognese School, s. 185
  • Artists'Oeuvres at a Glance, s. 194
  • Expression as an Art-historical Category, s. 203
  • The Universal Chain, s. 211

THE PROBLEM OF FAITHFUL REPRODUCTION, s. 215

  • Reproduction Critique, s. 218
  • Tracing, s. 236

THE REALIZATION OF THE ILLUSTRATED OVERVIEW, s. 250

  • CONCLUSION, s. 263
  • APPENDICES, s. 267
  • ARCHIVAL MATERIAL, s. 281
  • NOTES, s. 283
  • BIBLIOGRAPHY, s. 321
  • INDEX, s. 341
  • ILLUSTRATION CREDITS, s. 359
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