Spis treści: War, Memory, and the Politics of Humor: The Canard Enchaîné and World War I


  • List of Illustrations, s. ix
  • Preface and Acknowledgments, s. xi

INTRODUCTION: WAR, LIES, AND NEWSPRINT, s. 1

  1. SATIRE AND CENSORSHIP, s. 21
  2. VERBAL AND VISUAL, HUMOR AND POLITICS: ORGANIZATION AS DISCOURSE, s. 37
  3. UNSTUFFING SKULLS: THE CANARD VERSUS THE MASS PRESS, s. 51
  4. THE TEARS OF L'lNTRAN: SEMIOTIC HIJACKING AND WARTIME ANXIETIES, s. 71
  5. SOLDIERS VERSUS PROFITEERS: CLASS WAR AS PATRIOTISM, s. 83
  6. IN VINO VERITAS: DE LA FOUCHARDIERE, BICARD, AND THE POLITICS OF INEBRIATION, s. 98
  7. PEACE OR POSTWAR: THE NEXT LAST WAR, s. ll6
  8. WEB OF MEMORY, s. 132
  9. BETWEEN CANNIBALISM AND RESURRECTION: THE BODY OF THE UNKNOWN SOLDIER, s. I54
  10. ANTI-IMPERIALISM AND ITS STEREOTYPES: WAR IN THE COLONIES, s. 168
  11. POLITICS AS USUAL: AN ANTIPARLIAMENTARISM OF THE LEFT?, s. 184
  12. CANARD ECONOMICS, OR THE COSTS OF THE WAR, s. 210
  13. THE WEALTH OF NATIONS, s. 231
  14. CONCLUSION: POLITICS OF HUMOR, POLITICS OF MEMORY, s. 247
  • Notes, s. 267
  • Index, s.  2i23

Illustrations

  1. Gassier's duck and the censor's scissors (1916), s. 25
  2. Duck or dove (1917), s. 33
  3. Gassier's inaugural duck (1915), s. 38
  4. The duck pond (1916), s. 40
  5. Pinel's duck mocks the Academy of Medicine (1916), s. 41
  6. Skull stuffing visualized (1917), s. 52
  7. After the national holiday, by Pedro (1924), s. 101
  8. Bicard and de la Fouchardiere, by Guilac (1922), s. 105
  9. Wilson and the poilu (1918), s. 120
  10. Clemenceau ridiculed, by Gassier (1918), s. 185
  11. The veteran prepares to vote, by Gassier (1919), s. 187
  12. The war profiteer and his castle, by Laforge (1918), s. 212
  13. The dream of repayment, by Pedro (1924), s. 225
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